Art Show of Essex County Artists

 
 

An exhibit of Vermont Artists of Essex County to be held in the beautiful meeting house on the county green, next to the courthouse in Guildhall, Vermont, on June 6 from 2 - 6 p.m.

Four of my photographs will be on view in this wonderful show organized by Stephen Stinehour. It is especially wonderful as it is the first known show of Essex County artists.

Essex County is the least populous of all counties in Vermont. Driving to this region from cities below, one can palpably feel the gradual slipping away, the shedding, of established human settlements. It is a place sometimes referred to as The Northeast Kingdom of Vermont, and its lush, wild beauty is inhabited with richly talented humans. I am delighted to be showing alongside a group of artists who are my neighbors and friends. The show includes painters Karen Abbruscato, Debbie Crochiere, Sandy Kamins, Brenda McKenzie, Bruce Richardson, and Isaac Stinehour, equine artist April Repotski, photographer Roger Irwin, and jewelers Peggy Cooper Cahill and Mary Mazeonna. It will be lovely.

The Perseverance of a Mare, Lunenburg, 2009 will be on view, printed at 40 x 32 inches

Art in the Making

 

Essays by Artistis about What They Do

 
 


I am honored to be among the eighty artists represented in this book conceived and edited by brothers Christopher and Nick Benson. With essays and examples of work from artists and makers from around the world, Art in the Making is gathering funding for publication through a Kickstarter campaign which has received their distinction as one of the Projects We Love.

The artists ​represented in this 350 page book are from diverse backgrounds and ​disciplines, with insights and work from lyric and performing artist​s​, artisans, painters, sculptors, photographers and new media artists, and finally, in homage to
the origins of so many artists, the teachers and mentors—- the makers of human beings, as Christopher Benson insightfully calls them.

How did you come to what you do?

How do you do it?

Where do you see the distinctions, if any, between your art and your craft?

Why do you do it? 

These are the questions posed to each of contributors. Their responses help to enlarge our understanding of what it is to be human, and what is truly our deepest calling--the urge and necessity of making things, making beauty, making life-- in a technological age, in the midst of a pandemic, crisis, and catastrophe. I am so looking forward to reading the responses.

The Contributors to Art in the Making

Lyric and Performing Artists  ~ Rulan Tangen, Nathaniel Tarn, Jack Madry, David Jones, David Doucet, Josephine Wiggs, Tori Reynolds, Nico Muhly, John Davis  ❦ Artisans  ~ John F. Benson, Deborah Madison, Mark Luzio,  Florence Pénault,
Jeff Greene, Katie Pasquini Masopust, Judith Schaechter, Stephen Faulk, Alice Medrich, Michael Kautter, Chef Demetiek Scott,  Caleb Kullman, Will Benson  ❦ Painters and Sculptors  ~  Helen Park Bigelow, Maurice Burns, Woody Gwyn,
Patrick McFarlin, Phillis Ideal, David Frazer, Howard Newman, Nancy Wilson Fulton, Ann Arnold, Tony Abeyta, 
Leslie Parke, Pete Jackson, Sheila Miles, Carola Clift, Kathy Butterly, Brian Rego, Christopher Benson, Sarah Shaw, Fédéric Vangeebergen, Paula Wilson,  Sue McNally, Chelsea Gibson, Will Clift, Risa Benson   ❦ Graphic and Book Artists  ~  Leonard Baskin, Raphael Boguslav, David Lance Goines, Burning Books, David Macaulay, Ken Rinciani, Guy Billout, Thayer Carter, John Seed, Peter Koch, Barb Tetenbaum, David Frazer, Russell Maret, Christopher Lee 
❦ Photographers and New Media Artists  ~ Paul Caponigro, William Clift, Edward Ranney, Robert Benjamin, Lois Connor, Elvira Piedra, Krista Elrick, Patricia Lagarde, Andrea Modica, Zoë Zimmerman, Arduina Planca Caponigro, John Paul Caponigro, Atticus Berry, Dana Newman, Hamish Fulton,  Diane Armitage, Luis Palacios Kaim, Christopher K. Ho,
Nick Benson  ❦ Teachers and Mentors  ~  Bill Meyer, Mark Edmundson, Robert V. Hansmann, Cybele Leverett

❊ ❊ ❊ ❊ ❊ ❊ ❊ ❊

Please take a look at the Kickstarter for  Art in the Making, and support the project if you can. The book is scheduled to arrive in August,  but only if it is fully funded. The deadline is Tuesday, March 15, at 8:30 p.m. EDT. As the publisher emphasizes, this is a radical approach to publishing-- to accomplish it independently, to circumvent the now conventional channels of production and distribution, and to keep the proceeds with the creators, which results in supporting an extended community. Artists are often among the first responders in a crisis, creating fundraisers for disaster and crisis relief, and they are also the ones to whom we turn first when we are faced with difficulty. It is art which provides meaning and sustains us through the hardest and most painful moments. I am hopeful that the richness of talent in this book will attract the support of many who follow these artists’ work, and recognize that creating something like this independently is a small and important step towards change. As a small incentive, I am offering a giveaway of a copy of the book to give as a gift. Send an e-mail to elvira@elvirapiedra.com  with proof your $55 pledge to the campaign and I will enter your name in a drawing for a chance to win a second copy of  Art in the Making. It will be signed, with a little something extra.​

T H A N K Y O U

 
 

A letter to a friend in the fifth dimension

 
Emergence, El Rito, 2001

Emergence, El Rito, 2001

 

I began writing a letter to a friend who has been gone for a while. It grows as memories return and new thoughts arise, and as I see him in the context of current events. Strings of words, little notes quickly jotted on paper, snaking trails of thoughts, slippery things like water that I follow, which open up new areas of reflection. Perhaps I thought I could share a remembrance on a particular day. What I hoped was that I could share it on Instagram. But I am really not nimble enough to use Instagram properly, something meant for the instant. And lately my inconsistencies and disorganization keep me from utilizing it in one of its best forms, as haiku, to share these brief moments as they are experienced in the season, or a season of my life. My letter-notes have got trails going off all over now, perhaps because my friend was connected to so many things. I wanted to write some of them down here, because it’s important to keep his memory alive, for me, but also fresh. I’d like you to know a little about him, too, even if it is simply through me, in this public realm, through writing to him— Walter Chappell. It was his birthday on the 8th of June, and his favorite holiday yesterday, the Summer Solstice. It’s still so near, even though it’s been twenty years.

I didn’t miss your birthday. It’s just that I hadn’t publicly acknowledged it. Within, I remembered you and reflected on what my life’s become since you left. It’s you who were missed. 

You would have been 95. We celebrated your last birthday twenty years ago, with your family and so many of your friends who made the journey to El Rito. We had salmon and lamb, and cake. I made lemon ice cream, to recreate the one your mother used to make, which your sons took, in the hand cranked maker along with the ice and salt, in the wheelbarrow, down the narrow trail and churned by the river. You licked the dasher, as you had as a child. We were all like children again, elevated in this atmosphere of your birthday. It was such a happy day. You were loved very much. 

It was a drought that Summer (a word which you pronounced drowth), as it is here this one. The yellow iris were blooming, the ones which you used to say “smell like ancient Persia”. They were blooming here, too, in Lunenburg, Vermont, at the same time, yet the scent was not quite the same this year. Things change, and perhaps next year they will carry this perfume again. I wonder at times how you would feel in this world, as it is now. You might surprise me by embracing the internet, though probably not social media. I remember you used a word— twittering— to convey the superficial, self-centered and useless expressions of people— substitutions for real observations. It would amuse you that there is now a platform named Twitter for many to do exactly this. I imagine that you would be deeply pleased hearing of the movements to defund the police. You had experienced police brutality in the 1965 protests at UC Berkeley, taking a blow from a cop swinging a pipe at anyone in the area. You lost your front teeth, but escaped with your life. Again. You were cat-like in many ways, and even perhaps with nine lives; your life was a series of resurrections and remakings. So much energy you had, a restlessness, an urgency for truth. You were an advocate for something beyond justice— liberation. From likes and dislikes, falsity, attachments,  and anything that might obstruct access to knowing the truth. You showed me the ultimate liberation— from the body itself. And I called you Walter Triumphant. The image of you then is of the greatest victory— of Life over death. Perhaps because I believe that there is a life after this one, and a soul to carry you there. Though I know not how.  The whole matter of the soul, aka “A normal being wishes to live forever”, left so much room for questions and efforts. You were a Gurdjieffian, more so than I could ever be, and I wonder if you knew that you had truly developed one— a soul. I know, at least, that you did. Into the past and back to future, and into the fifth dimension, you travel through time, Walter. Still. Always.

Art & Creative Auction to benefit the Australian Red Cross

 
 

Paeonia Rockii, Linwood Gardens, 2007

 
 
 

The Spirit of My Friend, Paeonia Rockii, Linwood Gardens, 2007


The Art and Creatives Auction organized by Ruth Ribeaucourt offers an extraordinary selection of artworks and creative packages to provide urgently needed funding for the Australian Red Cross. She has received beautiful donations from two hundred sixty individuals from twenty-seven countries, and they include original art, antiques, jewelry, workshop and private instruction packages in photography and styling, consulting services, accommodations, walking tours and still more. It’s truly exceptional to see so many unusual and wonderful items gathered together in an auction, and it’s wonderful to discover the work of so many talented beings.

Lot. 14 holds the two images above, offered together, as archival pigment ink prints. They are of the same tree peony, paeonia rockii, photographed with an 8x10 view camera on black and white film. The Spirit of My Friend is a multiple exposure on the same sheet of film. For the prints: Image size is 12 x 10 inches, on 15 x 13 inch paper, signed recto, titled verso. Reserve: $200 AUS. The buyer pays for shipping: $12 within the U.S., $15 to Canada and Mexico, $20 to the rest of the world.

Here is how it will work:

Auction takes place on Ruth’s Instagram account beginning on Friday, 10 January, 9h30 GMT, and ends on Sunday, 12 January at 18h30 GMT. You may preview the items on her page now. To bid on an item, you’ll need to leave a comment on the Instagram post with your price in AUS $. In so doing, you are committing to pay that price for the item. Shipping terms will be clearly stated for each listing. 
If yours is the winning bid, you will send a payment directly to the Australian Red Cross— the link will be in Ruth’s Instagram profile. You will receive a receipt, a copy of which you’ll e-mail to Ruth. This donation is tax deductible. If your item has shipping fees not covered by the donor, you’ll need to pay them directly to the artist via Transferwise preferably, or PayPal. If you should be the winner of my work, Venmo will also work. Good luck to all who are able to bid.

The need to foster community as fellow inhabitants and as global citizens is only becoming greater as we experience the changes on our shared planet. This auction is an opportunity to support an organization that has always offered relief in dark times, and receive reminders in each offering of the beauty we are capable of making. I hope it will inspire tenderness and gratitude for one another. This isn’t a call to buy things that you don’t need, though, and I have listed below links to some of the organizations that have come to my attention since learning of this crisis, as a way to give directly. The loss of habitat is profound. Even when when a home is saved, the natural world that represented home may be gone. For humans, it is a loss which includes livelihood and even way of life, and the land, the animals, and the individuals whose lives have been forever altered, will need support long after the fires have been extinguished.

Fire Relief for First Nations Communities 
Organized by Neil Morris, is one I have chosen to support
Australian Red Cross
NSW Rural Fire Service supports emergency efforts of those on the front lines
Seed Mob The Indigenous Youth Climate Network
Wires Wildlife Rescue & Wildlife Victoria
Animal Rescue Craft Guild— in Files, patterns for making animal pouches


T H A N K Y O U



The Spirit of My Friend is being offered for the first time as a pigment ink print with this auction, and at a special size. It will be listed in my online shop at the beginning of February, at the size of the others— 11 inches high, though it, and most of the others, can be printed larger. At this time as well, the prices for the pigment ink prints will rise.

* * * * * *

Update: The auction closed with Jacqui Roche placing the winning bid. Jacqui is a London based potter and makes among other pieces, beautiful flowers in porcelain.
Part of what made this auction so extraordinary was being introduced to the work of so many talented beings. Coming together to support the relief efforts for those affected by Australia’s bush fires was very heartening, and for me is evidence of the importance of art and the artist in healing the world. Those posts remain up on Ruth Ribeaucourt’s Instagram profile, so even though the auction is over, those individuals continue creating and offering their gifts in unique ways and I encourage you to explore and discover.